Richard Caldicott

Richard Caldicott (b 1963 in Leicester) studied at the Royal College of Art in London where he also lives and works. He has had many solo and group exhibitions in Europe and the US and is represented in the following collections: Art Lab, Tokyo, Karl Blossfeldt/Albert Renger Patzsch Archiv, Kunstmuseum Bonn, Merril Lynch, Sir Elton John Collection, BP Amoco etc.

Solo Exhibitions

2014

Recent Work 2010-2013, Sous Les Etoiles Gallery, New York

2012

Photographs and Drawings 
A|B|C ontemporary| Armin Berger Gallery, Zurich 

2009

Hamiltons, London

2007

Richard Caldicott, Galerie f56, München

2006

Solo Show, Hamiltons Gallery, London
Casa Tua, Miami

2005

Loop, Goss Gallery, Dallas, Texas (Katalog)

2004

Hamiltons, London (catalogue)
Ariel Mayerowitz Gallery, New York

2002

Hamiltons, London (catalogue)
Ariel Meyerowitz Gallery, New York

2000

Finesilver Gallery, San Antonio, Texas
Hamiltons, London
Camera Work, Berlin

1999

Hamiltons, London
Succession, London

1998

Dorothée De Pauw Gallery, Brussels

1997

On the Entity of Objects/Vom Dasein der Gegenstände (with
Christopher Muller), Kunstmuseum Bonn (catalogue)

Selected Group Exhibitions

2015

ART MIAMI New York, Sous Les Etoiles Gallery, New York
Modest Masters 1, ARTES Foundation, Bergen
Paris Photo Los Angeles, Sous Les Etoiles Gallery, New York
art on paper, Sous Les Etoiles Gallery, New York
Shapeshifters&Sharpshooters, Geary Gallery, San Francisco
BAMEQUINOX 2015, Museum Ixchel, Guatemala City
THINK FAST, College of Architecture and Planning Gallery, Muncie
IN Touring to, Kansas State University, Manhattan
Clarks: Rebooted, International Touring Exhibition, Frieze London
GRAND FORMAT FROM THE COLLECTION, Sous Les Etoiles Gallery, New York
LAS GEOMETRIAS POSIBLES , Odalys Gallery, Madrid.

2014

CONTEXT ART MIAMI, Sous Les Etoiles Gallery
MIAMI PROJECT art fair, Joshua Liner Gallery
KONSTELLATIONEN, Galerie f5,6 Munich
Second Sight, Irish Museum of Modern Art, Dublin
Soft Target, M+B Gallery, Los Angeles
Color as Structure, McKenzie Fine Art, New York
Revelation And Enchantment, Kunstmuseum Bonn
Reality Loop, VEST, Aarhus
Downtown Fair 2014, Sous Les Etoiles Gallery, New York
#spring, Less is More Projects, Paris
DDESSIN {14} Paris Contemporary Drawing Fair
Art Paris Art Fair, 2014, Laurent Delaye Gallery

2013

CORE PURPOSE, Laurent Delaye Gallery, London
Adapt-erase, & Model, Leeds
Art Paris Art Fair 2013, Laurent Delaye Gallery
London Art Fair, Wilson Stephens Fine Art

2012

Harts Lane Studios, London
Serial Instinct, Singapore
Gallery FUMI, Porto Cervo, Sardinia,
VIP PHOTO FAIR, A|B|C ontemporary | Armin Berger Gallery Zurich
ART Bodensee 2012, A|B|C ontemporary | Armin Berger Gallery Zurich
Cutlog Art Fair Paris 2012, A|B|C ontemporary | Armin Berger Gallery Zurich
London Art Fair, Wilson Stephens Fine Art
SUPERMARKET:Independent Art Fair:Stockholm, ParisCONCRET
FILED UNDER/Roma, Galleria Ugo Ferranti, Rome

2011

Kunst 11 Zurich Art Fair, A|B|C ontemporary| Armin Berger Gallery Zurich
London Art Fair, Wilson Stephens Fine Art
Painting and the Like, ParisCONCRET, Paris
FILED UNDER/Launch, Galerie f5,6 Munich

2010

Abstract, Galerie f5,6, Munich
London Art Fair, Art Projects, Galerie f5,6
Art + Design Fair London, Hamiltons
Uno de Uno Gallery, Monterrey

2009

The Edge of Vision: The Rise of Abstraction in Photography – The Sixth Pingyao International Phptography Festivel, Pingyao, Shanxi Province, China
B-Sides, Galerie f5,6, München
Beyond the Document: Color Field Photography. Peg and Frank Taplin Gallery, The Paul Robeson Center for the Arts, Princeton
Time and Being, Bowe Ashotn Gallery, University of West England, Bristol School of Creatve Arts
The Christopher Hyland Collection of Photography, By Way of These Eyes: The Sublime, Exotic and Familiar, New British Museum of American Art

2012

Harts Lane Studios, London
Serial Instinct, Singapore
Gallery FUMI, Porto Cervo, Sardinia,
VIP PHOTO FAIR, A|B|C ontemporary | Armin Berger Gallery Zurich
ART Bodensee 2012, A|B|C ontemporary | Armin Berger Gallery Zurich
Cutlog Art Fair Paris 2012, A|B|C ontemporary | Armin Berger Gallery Zurich
London Art Fair, Wilson Stephens Fine Art
SUPERMARKET:Independent Art Fair:Stockholm, ParisCONCRET
FILED UNDER/Roma, Galleria Ugo Ferranti, Rome

2011

Kunst 11 Zurich Art Fair, A|B|C ontemporary| Armin Berger Gallery Zurich
London Art Fair, Wilson Stephens Fine Art
Painting and the Like, ParisCONCRET, Paris
FILED UNDER/Launch, Galerie f5,6 Munich

2008

Paris Photo '08, Hamiltons

2007

Art Koln, Galerie f5,6
Miami – London Preview, HackleBury, London

2006

Seeing the Light, Carl Solway Gallery, Cincinnati
ART ANON, in aid of Terrance Higgins Trust, London Art Fair, London
If it didn't exist you'd have to invent it: a partial Showroom history, The Showroom, London

2005

2×2, Rachofsky House, Dallas (catalogue)
Concrete Photography, Museum im Kulturspeicher Würzburg, Deutschland (catalogue)
Still Life and Stilled Lives, A Group Show, Ariel Meyerowitz Gallery, New York

2004

The Photography show, AIPAD/Ariel Mayerowitz Gallery, New York
Optic Nerve, Photofusion Gallery, London

2003

Optic Nerve-Abstract Colour Photography, Wolsey Art Gallery, Ipswitch UK

2002

Abstract Photography, Hunterdon Museum of Art, New Jersey, New York
Supercellular, Galerie Valerie Cueto, Paris

2001

Paris Photo '01, Hamiltons
Fresh, Jane Jackson Fine Art, Atlanta, Georgia
Art Brussels 2001, Hamiltons /Dorothée De Pauw Gallery
Art Chicago 2001, Finesilver Gallery

2000

Art Basel 31. Hamiltons
Art Brussels 2000, Hamiltons /
Dorothée De Pauw Gallery
ART2000, 12th London Contemporary Art Fair. Houldsworth Fine Art
The Photography Show, AIPAD/Hamiltons, New York

1999

Still, Houldsworth Fine Art, London
Vintage Show, Hamiltons, London
Art Brussels '99. Dorothée De Pauw Gallery/Hamiltons (catalogue)
Art Basel 30. Hamiltons (catalogue)
Silent Presence: Contemporary Still-Life Photography, Staatliche KunsthalleBaden-Baden
Travelling to Kunstverein Bielefeld, March-April 2000 (catalogue)
FIAC, Paris. Hamiltons/Dorothée De Pauw Gallery (catalogue)
Paris Photo '99, Hamiltons
The Photography Show, AIPAD/Hamiltons, New York

1998

Art Brussels '98, Hamiltons, (catalogue)
Out of Frame, curated by Paul Hedge, Hamiltons, London
Under/Exposed, XpoSeptember Stockholm Fotofestival, (catalogue)
The Discerning Eye, Mall Galleries, London
Paris Photo '98. Hamiltons (catalogue)

1997

Ordinaire/Ordinary, Miller et Bertaux, Paris
Art Frankfurt, Almut Gerber Gallery, Köln

1996

A Glass of Water, Chelsea Arts Center, New York
The Art Exchange, Kagan Martos Gallery, 60 Broad St, New York

1995

Caldicott, Clegg & Guttmann, Gussin, McDonough, Muller, Smith, Räume
für neue Kunst- Rolf Hengesbach, Wuppertal
Art Basel 26. Räume für neue Kunst- Rolf Hengesbach
Art Köln. Räume für neue Kunst- Rolf Hengesbach

1994

Gol!, Mark Boote Gallery, New York
Close Encounters, Ikon Gallery, Birmingham
Foto 1, curated by Christian Anstice, 152c Brick Lane, London

1993

Xenografia Nomadic Wall, (Video Installation Project) curated by
Umberto Scrocca, 45th Venice Biennale

1992

Seventeen, British and American Artists, Greenwich St, New York(catalogue)
Love at First Sight, curated by Graham Gussin, The Showroom, London
In and Out, Back and Forth, 578 Broadway, New York (catalogue)
How Noisy Everything Grows, curated by Marigold, Royal College of Art, London (catalogue)
7th Australian International Video Festival (catalogue)
15th Tokyo Video Festival

1991

Five British Artists / Fünf Britische Künstler, curated by Christa Gather,Thomas Backhaus Galerie, Düsseldorf (catalogue)

1990

From a Position of Safety, Citicorp, London
Harvest Beige, Citicorp, London
Original Copies, Royal College of Art, London.Travelled:
National Museum of Modern Art, Kyoto. Axis Gallery, Tokyo,Century Plaza,
Nagoya (catalogue)

1988

Project Title, Chrome Factory, London

1985

Whitworth Young Contemporaries, Whitworth Art Gallery, Manchester

1984

Stowells Trophy, The Royal Academy, London (catalogue)
New Contemporaries, ICA, London (catalogue)

1983

Stowells Trophy, The Royal Academy, London (catalogue)

Awards

1991

Grants to Artists, British Council

1986

Cité International des Arts, RCA
Paris Studio Award

Collections

Art Lab, Tokyo
BP Amoco, London
Christopher Hyland Collection, New York
Dorothée De Pauw, Brüssel
Electronic Media Arts, Glebe, Australien
Gert Elfering, Miami
Goldman Sachs International, London
Karl Blossfeldt /Albert Renger-Patzch,
Archiv Ann und Jürgen Wilde, Köln
Kenny Goss and George Michael, Dallas / London
Kunstmuseum Bonn
Leon Constantiner, New York
Merrill Lynch International Bank, London
Miller et Bertaux, Paris
Museo of Electrographie, Cuenca, Spanien
Museum im Kulturspeicher, Würzburg
Peter Svennilson, Stockholm
The Peter C. Ruppert Collection
Richard James, London
Simon and Yasmin Le Bon, London
Sir Elton John, London
Tara Bernerd, London

Commissions

BP Amoco, London

Bibliography

Abrahams, Charlotte. No Hang ups, The Guardian Weekend, 10.3.01, p.41–42
Aletti, Vince. Richard Caldicott, Ariel Meyerowitz Gallery, The Village Voice, Januar 22, 2002,Vol. XLVII, No. 3
Althoff, Bernhard. Verwirrspiel mit den Dingen des Alltags, Bonn Rundschau,17.1.97
Bauermeister, Volker. Wo sich Dinge zum Reim zusammenfinden, Badische Zeitung, 16.9.99
Bell, Jonathan. Rose-Tinted Receptacles, Wallpaper, September 1999, p.153–4
Bishop, Louise. Plastic Fantastic, Creative Review, May 1999, p.48–49
Boecker, Susanne. Kühne Verwirrspiele mit einfachen Dingen, Kölner Stadt-Anzeiger, 18.2.97
Bosetti, Annette. Die Stilleben von heute, Aachener Nachrichten, 20.1.97
Braxmaier, Rainer Mitarbeiter Von. Eine Kleine Auswahl aus verschiedensten Sparten, Badisches Tagblatt, 14.9.99
Brehm, Margrit. Stop Making Sense, Exh.Cat. Staatliche Kunsthalle Baden-Baden, 199 9
Brown, Neil. Still, Houldsworth Fine Art, London. Independent on Sunday, 30.1.2000
Dannatt, Adrian. But if you try sometime you might just find, Exh.Cat. In and Out, Back and Forth, 578 Broadway NYC
Dannatt, Adrian. Soccer sideline, The Daily Telegraph, 2.2.94
Dannatt, Adrian. Richard Caldicott-On a Series of Solid Physical Articles in
the Shape of Ten Ordinary White Pages Marked by Black Print Text, Exh. Cat. Kunstmuseum Bonn, 1997
Denk, Andreas. Vom geheimnisvollen Leben der Yuccapalme, General-Anzeiger, 22.1.97
Dent, Nick. Kitchen Sink, Not Only black+white, No.39 October 1999, p.14
Durden, Mark. Close Encounters, Creative camera, Dec. 1994, p.43
Dykstra, Jean. About the Cover, Photography in New York International, January/February 2002, cover image and p.4
Feeser, Mitarbeiter in Sigrid. Erlesen Abgehoben, Baden-Baden: Stilleben der Gegenwarts-Fotografie, Rheinpfalz, 24.9.99
Fiedler,Tanja. Tupper lebt, Berliner Morgenpost, 18.9.2000
Fischer, Joseph. Die Kunst der Stille, Kunst & Kultur, 9.99
Frieze, cover image ('paper bag' 1992), issue 6, September-Oktober 1992
Gernsbeck, Karl. Kompositionen und zufällige "Schüsse", Badisches Tagblatt, 13.9.99
Gronert, Stefan. On the Entity of Objects, The Context of the Works of Richard Caldicott and Christopher Muller, Exh. Cat. Kunstmuseum Bonn, 1997
Kemmerer, Michael. Lautlose Gegenwart, Fotografische Stillleben in dr Baden-Badener Kunsthalle, Rhein-Main Echo,15.10.1999
Kilb, Andreas. Hausgötter sehen dich an, Frankfurter Allgemeine Zeitung, 20.9.2000, Nr. 219
Könches, Barbara. Fokussierte Stillleben, Die "Lautlose Gegenwart", BNN, 13.9.1999
Kopp, Siegbert. Eine Schule des Sehens "Lautlose Gegenwart": Fotografierte Stillleben in Baden-Baden, Sudkurier, 3.11.1999
Lacanian ink 14, cover image ('butter, 1997'), Spring 1999Lillington, David. Foto 1, Time Out, No.1226 Februar 1994, p.39
Lebeck, Josef. Kunsthalle Baden-Baden: Lautlose Gegenwart, Klappe, 10.99
McKay, Ian. Original Copies, Art Monthly, Dezember 1991, p.24
Miyake, Yuki. From London, Designers Workshop, 1X, No.58, Dezember 1992, p.111
Muller, Franz. Ein altes Thema in neuem Licht, Badisches Tagblatt, 27.8.99
Mueller, Jessica. La Soupe de Daguerre, Exh.Cat. Staatliche Kunsthalle Baden-Baden, 1999
Nab, Beate. Die Schönheit der banalen Dinge, Westfalischer Anziger Hamm, 28.3.2000
Pesch, Martin. Um die Ecke Wartet die Op-art und grist, Taz, 19.2.97
Pfab, Rupert. Irritierende Wechselspiele: Zur Ausstellung "Vom Dasein Der Gegenstände", Eikon 21/22, p.85, 1997
Pinsent, Richard. The sensory eloquence of still-life photography, The Art Newspaper, No.92, Mai 1999, p.66
Pramann, Willi. Kunstverein: Stillleban in der zeitgenössischen Fotografie Tod behauptet seine Gegenwart, Westfalen-Dlatt . 4./5. 3 2000
Romano, Gianni. Richard Caldicott, Zoom, Mai/Juni 1993, p.46-49
Rothman, Sabine. Fantastic Plastic, House & Garden(USA), Oktober 2000, p.108
Seaward, Ellie. The Perfect Portfolio, Image No: 303, Association of Photographers, Dezember 2000, p.4,5
Strecker, Manfred. Lautlose Gegenwart Bielefelds Kunstverein zeigt Stillleben
zeitgenössischer Fotografie, Neue Westfälische, NR.54. Samstag.4.Marz.2000
T, l. Perfekte Ästhetisierung: Promis und Tupperware schöner fotografiert als sie sind, Mäilaichn Oderzeitung, 26.9.2000
Zoo, Issue 3, Oktober 1999

Works from the Artist

See all works from the series:

  • Chance/Fall
  • Untitled 2008
  • Blocker
  • Tupperware